TL;DR
Get cleaning gear delivered free with Prime
- Fast, free delivery on millions of items
- Prime Video, Amazon Music and more included
- Member-only deals all year
Interior designer Ada Wrońska reworked the ground floor of a Warsaw rowhouse into an open living area, using color and contrasting forms to connect the kitchen, dining and living spaces. The project reflects the owners’ preference for expressive interiors and draws on the home’s 1960s-70s architecture and Italian influences.
Interior designer Ada Wrońska redesigned the ground floor of a small Warsaw rowhouse as an open living space, using a varied color palette and distinct furniture shapes to connect its kitchen, dining area and living room. The project, featured by Livingetc, shows how the owners’ preference for a more personal, energetic home informed both the layout and its decoration.
Wrońska, founder of Plural by Design, said the ground floor had originally been divided into several small, conventional rooms. The team gutted the house and rethought the entire level, bringing the kitchen, dining and living spaces together. The article describes the result as compact, with each area given visual definition through its furnishings, colors and architectural features.
The design began with the kitchen palette, developed through repeated color samples. Wrońska said it combines dusty pinks, burgundy, blue shades and touches of yellow across cabinetry and finishes. The owners had brought reference images and wanted to move away from neutral interiors in favor of more warmth and energy.
Wrońska said the homeowners’ interests in travel, food and Italy informed the design. They own Italian restaurants in Warsaw, and the designer cited the Ligurian landscape—its sea, mountains, colorful buildings and faded architectural tones—as inspiration. The project also includes vintage wooden dining chairs whose orange-toned finish Wrońska viewed as a useful accent.
How Color Organizes the Open Plan
In an open-plan home, removing walls can make separate uses of a room harder to distinguish. This renovation pairs a unified palette with different shapes, furniture and focal points so the kitchen, dining area and living room feel connected without appearing identical. Color works as a visual link, while the varied elements give each zone its own character.
The project also illustrates that a cohesive interior need not rely on matching finishes or one historical style. Wrońska combined modernist forms, contemporary pieces and Mediterranean references, while retaining features that respond to the rowhouse’s history. That approach may interest homeowners considering an open ground floor who want it to feel personal rather than standardized.
Some decisions involved trade-offs. Wrońska said the team omitted a railing beside the staircase to preserve openness and visual flow. The source does not provide technical details about the staircase or explain how safety requirements were addressed, so the choice should not be taken as a general recommendation for home renovations.
Products Worth Considering
Philips Hue Smart Light Starter Kit with Bridge and 4 White and Color A19 Bulbs
Philips Hue Festavia Globe Outdoor String Lights, 8 Bulbs, 22 ft
Levoit Core 400S-P Smart Air Purifier for Large Rooms
As an affiliate, we earn on qualifying purchases.
A 1960s-70s Rowhouse Reworked
According to Wrońska, the house was built in the 1960s or 1970s as a typical Polish rowhouse. Rather than reproduce a specific period, she said the design drew selectively on the building’s architectural history, especially through furniture proportions, rounded silhouettes and geometric forms.
The owners wanted an interior that felt collected and individual, not governed by a single style or trend. Wrońska said the project mixed references from different eras with playful, contemporary influences. In the dining area, for example, a curved table sits alongside square forms in the shelving, while the vintage chairs add another material and color note.
The article’s account is based on an interview with Wrońska and project images credited to Plural by Design. It describes the design intent and renovation choices but does not provide a floor area, a budget, a construction timeline or independent evaluation of the finished home.
“We weren’t interested in creating a home that followed one particular style or trend. Instead, we wanted it to feel collected, personal, and a little unexpected — a place where different references could coexist naturally.”
— Ada Wrońska, founder of Plural by Design
Project Details Not Reported
The source does not state when the renovation took place, how much it cost, how long construction lasted or the home’s dimensions. It also does not identify contractors, document any permits or explain the technical treatment of the staircase after the railing was omitted.
Descriptions of the home’s atmosphere and the success of its color scheme reflect the designer’s account and the publication’s presentation of the project. The source includes no independent assessment, measured performance data or comments from the homeowners beyond their preferences as relayed by Wrońska.
No Further Project Update Listed
Livingetc’s report presents the completed design but does not announce a future construction phase, follow-up project milestone or additional update. The next step for readers seeking more information would be to consult the original feature or contact Plural by Design; no further plans are specified in the material provided.
Key Questions
Who designed the Warsaw home?
Ada Wrońska, founder of Plural by Design, led the redesign, according to Livingetc’s report.
What changed on the ground floor?
The team gutted the ground floor and turned several small rooms into a more open plan containing the kitchen, dining area and living space.
Which colors feature in the kitchen?
Wrońska said the palette includes dusty pink, burgundy, shades of blue and touches of yellow, selected after repeated color sampling.
What inspired the home’s design?
The owners’ interests in travel, food and Italy informed the interior. Wrońska also drew on the home’s 1960s-70s rowhouse architecture and the landscape and colors of Liguria.
Why was there no railing beside the staircase?
Wrońska said omitting a railing was intended to maintain openness and visual flow. The report does not give technical or code details, so it does not establish whether the choice is appropriate for other homes.
Source: livingetc.com
