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Veranda published a collection of 15 small entryways that use details such as patterned wallpaper, vivid paint, distinctive floors and artwork to shape a home’s entrance. The examples come from named residential projects and designers; the report presents design inspiration, not evidence that any particular approach improves a home’s value or function.
Veranda has published a roundup of 15 small entryways that use color, pattern, art and architectural details to establish a visual introduction to the homes beyond them. The examples span apartments, historic houses and a Palm Beach cabana, offering readers a set of design ideas for making a compact entrance feel intentional without relying on a large footprint.
The report’s featured spaces use a range of approaches rather than a single formula. In a 1930 Nashville home, designer Richard Hallberg paired Japanese rice-paper wallcovering with a gesso-and-wood target and an ornate Italian console. In a Lake Michigan inn, Summer Thornton used pattern at the entrance as an early signal of the colorful interiors that follow. Other examples foreground bold surfaces: cobalt lacquer in Garrow Kedigian’s apartment, geometric flooring and a blue leather-clad door in Michael Lorber’s Park Avenue home, and brown ikat wallpaper in an Illinois Colonial.
Several entries draw attention to less expected surfaces. Designer Marea Clark covered the ceiling of a San Francisco Craftsman’s entry with striped wallpaper, describing the effect as “a bit of whimsy.” In a coastal Maine Colonial Revival, designer Matthew Carter selected a bold, Matisse-like Miro wallpaper. The roundup also shows how entrances can connect to a home’s setting: a Dallas penthouse pairs green lacquered walls and 19th-century chinoiserie panels with limestone floors, while a Martha’s Vineyard foyer uses citrine, teal and blue.
Not every example depends on a conventional interior hall. In Palm Beach, architect Bobby McAlpine designed a small, two-story cabana as an entrance to a larger modern home. Its open-air living space has a hand-painted mural of South Florida flora and fauna and is arranged to welcome guests with a cocktail. The roundup also includes a Manhattan entry dressed with blue Atlas cedar branches, showing how seasonal greenery can serve as a temporary focal point.
Design Ideas for Compact Entrances
The collection is useful to readers because an entrance is often a limited area that must serve as both a passage and a first impression. The featured projects show several ways designers treat that constraint as an opportunity: draw the eye upward with a patterned ceiling, make a narrow corridor distinctive with flooring, or use a strong wall treatment to create a clear visual identity.
The examples also suggest that a small entry can relate to the wider home without copying every room. Some spaces preview a larger palette or a collection of art; others use a contrasting material or motif. That is design interpretation from the projects, not a measured finding about how visitors respond. The report does not compare costs, durability or performance, so readers should treat the projects as inspiration rather than a tested guide.
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How the Featured Homes Set a Tone
The roundup is built around individual homes and the designers who worked on them, with examples ranging from historic properties to contemporary apartments. The Nashville project brings modern elements into a traditional 1930 house; the Grey Gardens restoration combines a vivid animal-print wallcovering with the restored banister, railing and original Dutch door. Those details make the entry’s style legible while retaining features tied to each home’s history.
Designers quoted in the source describe the foyer as a preview of what follows. Jonathan Adler, who worked with Liz Lange on Grey Gardens, said, “A foyer should be like the intro to a good essay. It should sum up what’s to come.” Chiqui Woolworth calls it “the most important room” when discussing her glamorous Manhattan scheme. These are designers’ views, not independently established rules; the projects illustrate different ways of applying them.
“A bit of whimsy.”
— Marea Clark, designer
What the Roundup Does Not Measure
The source presents selected interiors and does not state how the 15 projects were chosen, compare their budgets or report how well particular finishes hold up over time. It also provides no measurements for the entryways, so the label “small” is not tied to a defined area or layout. Readers cannot infer from the roundup that any one design will work in every home or produce a specific effect on resale value.
The supplied material does not include a publication date or details on whether the projects have changed since they were photographed. The examples should be read as reported design features, with the quoted judgments attributed to the designers who made them.
Applying the Ideas at Home
The roundup offers no announced follow-up or installation guidance. For readers considering a similar update, the next step is to identify the entry’s practical limits—available wall and floor area, lighting, traffic flow and storage needs—before choosing a focal detail. A wallpapered ceiling, patterned floor or painted wall may make a space feel more deliberate, but the source does not assess maintenance, installation requirements or cost.
Any project should be planned around the home’s existing architecture and the way people use the entrance. The featured designs provide examples to adapt, not a prescribed sequence or guarantee of results.
Key Questions
What is the news in this report?
Veranda published a roundup of 15 small entryways, showing how designers used finishes, color, artwork and furnishings to give entrances a distinct look.
What are some design approaches featured?
The examples include patterned wallpaper, bold paint, geometric flooring, murals, unusual ceiling treatments and seasonal greenery. The projects vary, so the roundup does not recommend one approach for every home.
Does the report say these designs increase home value?
No. The supplied report describes design projects but provides no data on resale value, costs or return on investment.
Which designer described a foyer as an introduction?
Jonathan Adler said a foyer should be like “the intro to a good essay” and should sum up what is to come. He made the comment about the Grey Gardens restoration.
Source: veranda.com
